Blue Moon / Orange Begonias
(Previously Published: Rose Garden Press)
Laurie Koensgen
i
You noticed my orange begonias
in the pot beside the door.
Did I blush when I let you in?
Did I betray the whim,
the quickening wish that you had
noticed, instead, my breasts?
Begonias––Brazilian as Carnaval.
In that instant I undressed.
My clothes, abandoned,
danced like revellers
in the carnal swirling
that consumed my hall.
I stood before you
wearing only flowers,
my trembling breasts
a spectacle
of orange begonia petals.
The parade evaporated
as swiftly as it reigned.
I put my wanton reverie away
as I would stake a rebel blossom
or tuck my naked bosom
into a camisole.
ii
You noticed my orange begonias
among the scarlet, the lemon and coral,
ivory and rosé.
And I felt you had distinguished
something in me––
that leaves in the shape of wings
would cradle and sustain me,
would hold me as you could not.
My NDP begonias.
You reminded me I chose them
for their colour months before––
bright orange like the lawn sign
that sprouted on its metal stem
and wanted solidarity.
I have never seen your garden
but I know your politics.
Conjecture: an assembly
of conservative blues––
beds of forget-me-nots,
legions of bachelor’s buttons.
But you are not a bachelor.
That truth can’t be concealed
beneath a modest garment,
behind a garden wall.
iii
You had come for lunch,
to celebrate the moon.
Once in a blue moon, we had said.
I returned to what was prudent.
It was noon
and the moon was hours away
from her evening performance.
The blue moon is remote, I thought,
solemn and distant,
like something bequeathed
and sparely delivered.
We shudder under
her legacy of glow.
She’s an open mouth
with operatic precision
sounding only no.
My begonias are suns.
Their petals are warm
and smoothly toothed
as toddlers’ smiles.
They ruffle in the wind
like wave-tossed bodies
buoyant in orange life vests.
They’re a convention of fireflies,
a flame-eater’s encore,
a dalliance of orioles
descending from the skies.
iv
You brought me a bottle of wine
and a story about the label:
an artist sketched the winery
from his window near the caves.
Gilded cursive over Roman arches,
vaults of greyscale stone.
Suddenly the palette stirred––
mere gold surrendered
to pigments of ochre, azure and clay.
The walls collapsed; the miles unmapped.
I saw the hillside vineyard––its arbours
draped in grapes. Burdened vines
bowed like tender lovers.
Sunlit tendrils stretched
like fingers, offering their fruit.
You opened the bottle.
I chose to ignore
the escaping wisp
of genie’s breath.
It circled us and vanished
like a shimmering mistral.
And I noticed your white wine
was from a place called Orange.
v
I served on cobalt glassware––
blue, reflective pools.
Circles of composure
in honour of the moon.
But on the plates––
the dazzle of carrots, sun-drunk
mangoes, red pepper coulis,
pillows of tofu on beds
of basmati, feathered
with lemon grass,
coriander-fanned.
A study in contrasts––
a mingling of energies––
rivals on the colour wheel––
you and me.
vi
It was time for you to go.
You are gone now. Begone.
You are better not to know
the petals in my heart
are heavy and dishevelled.
And my desire dances
in perpetual Carnaval
where orange begonias
endlessly beckon
beneath my deceptively
disciplined breasts.
Laurie Koensgen lives and writes in Ottawa, Canada. Her poetry appears internationally in journals, anthologies and online magazines. Recent publishers include The Ex-Puritan, The Madrigal, Stone Circle Review, The New Quarterly, and Twin Bird Review. She’s a founding member of the Ruby Tuesday Writing Group. Laurie’s latest chapbook, this clingstone love, is forthcoming with Pinhole Poetry.